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In  April  1995,  David  Marriner’s  Stage  Quotes:                      in duet with Laurie Wilson at  the  secondary
        Developments  Australia  bought  the  complex                            console.  Their  work  is  preserved  on  several
        for an estimated $3-$4 million. Marriner took  ‘To be in the State Theatre will be like lingering  recordings. The organ was ‘retired’ in 1956. In
        possession in August, intimating that he might  in  a  beautiful  old  world  Italian  garden,  1962 the secondary console was sold privately.
        rename the venue the Old State Theatre and  bordered  by    graceful  walls  of  Florentine  After a spell in Darwin, it found a permanent
        eventually  take  it  back  to  a  single  2500-seat  statuary.’ Stuart Doyle, The Australasian, 29  home  in  the  Capri  Theatre  in  Goodwood,
        venue.  He  also  announced  that  the  first  September 1929.           Adelaide. The main console was purchased by
        attraction  under  his  management  would  be                            organist Gordon Hamilton in 1963. Five years
        staged  in  the  540-seat  upstairs  theatre  on  ‘They don’t make theatres like this anymore’ –  later he sold it to the City of Moorabbin. It was
        25  October:  the  premiere  of  Max  Gillies’  Film guru Ivan Hutchinson, 1986.  installed  in  the  Kingston  (Moorabbin)  Town
        political  satire,  Gillies  Live  at  the  Club                         Hall  where  it  was  voluntarily  restored  by
        Republic. Script problems led to its cancellation  ‘In 20 years’ time this generation won’t have  members  of  the  Theatre  Organ  Society  of
        after a couple of previews, but it later surfaced  fond  memories  of  Cinema  4  in  some  big  Australia.
        at the Athenaeum. Similarly controversial was  complex’ – State Historian Dr Bernard Barrett,
        Steven  Berkoff’s  savage  black  comedy  1986.
        Decadence, which opened on 2 July 1996.

        After an extensive refurbishment that included
        banquette  seating,  a  dance  floor,  bars  and  a
        pizza kitchen, Marriner unveiled the downstairs
        venue, Forum I, on 18 August 1996. It can now
        cater for 1500 with most of the seating removed
        and 800 in a more intimate configuration. The
        venue debuted with a locally-created ‘jukebox’
        musical,  Piano  Men.  Later  attractions  have
        included Marianne Faithfull, Dein Perry’s Tap
        Dogs, Urban Bush Woman, the Blind Boys of
        Alabama, ventriloquist David Strassman, Julian
        Clary,  John  Waters  with  his  Jacques  Brel
        tribute,  Bomber  Perrier’s  Circus  of  Dreams,
        film screenings and Comedy Festival shows. In
        February  1998,  the  Midsumma  Festival
        presented a Summa Cabaret with a starry lineup
        including Combo Fiasco, Geraldine Turner, Jon
        Jackson’s Great Big Opera Company and Hugh
        Jackman, a few days before he left for London
        to play Curly in Oklahoma!
                                                                                 American  organist,  Frank  Lanterman  at  the
        The Forum was added to the Historic Buildings  Charles Bohringer         Wurlitzer organ, 1929.
        Register  in  November  1978,  and  its   Born in Basel, Switzerland, Charles Bohringer
        significance  is  recognised  by  the  National  (1891-1962)  left  his  architectural  practice  in
        Trust. ★                             Berne to come to Australia in 1914 with fellow
                                             architect Hans Miesch. Though they were lured
                                             by the prospect of work in the nascent national
                                             capital, their first venture was a prune farm at
                                             Batlow,  NSW.  Bohringer’s  initial  Australian
                                             architectural commission appears to have been
                                             a small hotel in Sydney. In 1921 he was briefly
                                             in partnership with Henry White. In 1923 he
                                             designed a theatre in Cessnock, NSW. It was
                                             the first of the dozens of theatres and cinemas,
                                             large and small, on which he worked. Among
                                             the most notable were his three ‘atmospherics’,
                                             the  Ambassadors,  Perth  (1927),  the  State,
                                             Melbourne  (1929)  and  the  Civic,  Auckland
                                             (1929). In 1953 Bohringer was convicted for
                                             tax  evasion  and  fraud  and  was  declared
                                             bankrupt.


                                             The Mightier Wurlitzer
                                             All Wurlitzer theatre organs were “mighty”, but
                                             the State’s £25,000 Model 270 was mightier
                                             than most. It was one of the very few Wurlitzer
                                             installations in the world to have twin consoles,
                                             enabling  the  playing  of  duets.  It  also  had  a
                                             linked grand piano. Over its long history, the
                                             State  had  only  four  resident  organists,
                                             American  Frank  Lanterman  (1929),  Arnold
                                             Coleman (1929-1940), Aubrey Whelan (1940-
                                             1956)  and  Iris  Norgrove  (1956).  Coleman’s
                                             regular  Sunday  concerts  were  broadcast
                                             throughout Australia. Whelan often performed



        18    CINEMARECORD  # 100
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