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Happenings                                                                     by Brian Miller



              Swap meet:

              CATHS-V held our 1998 swapmeet on Saturday, 25th July at the Victorian  Moviemakers  premises, Napier
              Street,  Fitzroy.  Keen  bargain hunters were spotted leaving with  armloads of goods. A program of "selected
              shorts" as the advertising used to say, followed the sale. These included Wurlitzer organ solos from the Tower
              Ballroom, Blackpool and the 1991  National Trust/Regent Theatre open day, which was assisted by CATHS-V
              members. It is almost two years since this great building was returned to Australian theatregoers.

              Our thanks to John  Brown  and  Ron  Northrope who handled the  afternoon  tea  so capably,  and  to  Graham
              Smythe in the projection room.


              Vistorian Arts Center Backstage Tour:

              The Arts  Centre Backstage Tour  is only available on Sundays at 12.15pm and  sixteen CATHS-V members
              participated on the 19th of July. This interesting inspection commenced at the George Fairfax Theatre, previ-
              ously known as the Studio. The name was changed to honor Mr.  Fairfax, who did so much to promote the
              centre during his years as general manager.
              Originally conceived as a flexible space for experimental theatre, the area has been re-fitted in recent times as
              an open stage for small-scale plays. New, comfortable seating in semi-circular tiers gives excellent sight lines.
              No attempt has been made to disguise the technical equipment in the ceiling, reminiscent of the CUB Malthouse.
              Minimal props and scenery are used due to space limitations and these are moved by hand.

              An attractive foyer in  beige-mushroom tones completes this  part of the  complex.  There  was much  activity
              backstage in the Playhouse where the Melbourne Theatre Company's set was being "bumped out", the play
              "Amy's  View"  having finished  the  previous evening.  Our view of the  Playhouse  auditorium was somewhat
              curtailed due to this work but it was good to see the practical side of theatre presentation in action.

              The Playhouse stage is bigger than anticipated and has a number of options, such as a revolving stage and a
              small removable orchestra pit which can  be converted to seating. Auditorium colours are dark walnut-toned
              walls and deep plum-purple toned seating.

              A most impressive loading dock serves both the playhouse and the State theatre and is on a scale that most
              theatre managers only dream of.  Semi-trailers can  be brought in off the  street and unloaded, all completely
              undercover. The vast back-stage section of the State Theatre is considered one of the world's best for this type
              of auditorium, fully computerised and capable of being raised, lowered, revolves, etc.

              Although we saw a large section, the stage continues behind a second safety curtain for use in  spectacular
              presentations. The very plush red  and  gold State auditorium had been re-configured with five  extra rows of
              seating, as the next attraction does not require the orchestra pit.

              To conclude a busy ninety minutes, we continued to the Concert Hall via the stage door and like the theatres
              building, it has been  recessed  below ground  level.  Special designs were  necessary to  ensure total  damp-
              proofing throughout and pumping systems to keep the Yarra at bay, at all times. Earth tones prevail throughout
              the building and the foyers were not available for inspection. Transparent plastic discs above the orchestra pit
              can be moved and curtains on the back wall of the balcony can be opened and closed to vary the sound level,
              as required.

              A labyrinth of corridors leads to a number of rehearsal rooms, refreshments room, dressing rooms and like the
              main building, some really deluxe en suite dressing rooms for the stars. The stage area is also flexible and to
              stand mid-stage and look at all 2700 seats is an impressive sight. The organ is recessed high above on the
              back wall of the stage.

              Film projection facilities are available in the State Theatre, the Playhouse and the Concert Hall. The 1925 silent
              version of "Ben Hur" was presented with full orchestra and great impact at the Concert Hall, some years ago.
              The cost of the tour is $12.00 and is not to be confused with the weekday Front of House tour.

              Victoria can be proud of this complex. The finest in Australia - and a world-class facility.
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