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both cases, survival would come at the cost of
          signal change.
            New viewing alternatives had administered
          the cold douche to cinemas everywhere.  The
          stark, clinical challenge confronting so many
          cinema proprietors was to somehow revitalise
          their venues, or sadly see them perish.

          A Cosmopolitan Solution
          The arrival of Peter  Yiannoudes might have
          appeared as an epiphany to an ailing cinema
          industry of the 1960s. In the late 1950s,
          Yiannoudes began as an importer and agent for
          Greek film companies. He exhibited his first
          films in the Melbourne Town Hall in 1957. In
          1961, he acquired his first cinema, the National
          Theatre, Richmond. A Sophia Loren film with
          Greek subtitles clearly illustrated the exciting
          potential of a new format of cinema program-  Main staircase to circle foyer. Photo: Adrian Maiolla.
          ming which would target Melbourne’s inner-
          suburban Greek community.                           English language television was not nearly so alluring.
            Yiannoudes, together with his partners Stan Raftopoulos  Cinema therefore retained its magnetism, not only as an enter-
          and Andrew Papadopoulos went on to own and lease a portfo-  tainment medium, but also as a social, networking forum.
          lio of Greek language cinemas under the banner Cosmopolitan  During Cosmopolitan’s early years at Westgarth, screenings
          Motion Pictures Pty Ltd. The Westgarth, with its vacuous inte-  occurred three evenings per week. This was later scaled back
          rior and close proximity to Northcote’s thriving Greek com-  to two evenings: Saturdays and Sundays. Present day co-man-
          munity, became a natural target. Thus, in November 1966, the  ager and nephew of Peter Yiannoudes, Mr Michael Protopapa,
          Westgarth  Theatre was acquired for $70000. It has been  gleefully recalls Westgarth audiences of 1200 people creating
          reported as the most expensive of Cosmopolitan’s acquisi-  a buoyant atmosphere during these evenings.
          tions. Cosmopolitan gave many beleaguered cinemas years  The  Westgarth Picture  Theatre became a multifarious
          they most likely would not have otherwise had.  A 1967  venue. Indian films were shown with subtitles. Turkish films
          Westgarth  Theatre building registration shows  Westgarth’s  with Greek subtitles were exhibited until such time as tensions
          seating capacity as follows:                        between Greece and Turkey, pertaining to Cyprus, rendered
                                                              this format unpalatable to the Westgarth’s Greek constituents.
          Stalls  917                                            Then in the early 1980s, Greek concerts commenced at the
          Circle  356                                         Westgarth Theatre. To accommodate concerts, the firm Holger
          Lounge  156                                         and Holger Pty Ltd supervised an extension of the stage by 4.5
                 1429                                         metres in October 1980. This necessitated the removal of 15
                                                              stall seats. The rock group INXS filmed a music video titled
            The Cosmopolitan format coalesced naturally with Greek  Listen Like Thieves at the Westgarth. Concerts continued at
          audiences. To those from non-English speaking backgrounds,  Westgarth until 1987.
                                                                 According to Michael Protopapa, Greek language home
                                                              videos were the principal reason underlying the eventual end
                                                              of the Greek language format at Westgarth, and elsewhere.
                                                              The protean Yiannoudes had become cognisant of this fact
                                                              some years earlier. By 1987 Westgarth was the last of his cin-
                                                              emas. Yiannoudes had again forseen the future and established
                                                              a chain of Greek language home video stores! His Greek film
                                                              distribution business continued.

                                                              The Valhalla Years
                                                              The epoch-making arrival of Valhalla in 1987 signalled a new
                                                              chapter of innovation and adaptation in the life of the
                                                              Westgarth Theatre. Since Valhalla’s inception in 1976, it had
                                                              become an icon in Melbourne’s cinema industry. Valhalla’s
                                                              eclectic mix of art-house, nostalgic, foreign and at times
                                                              quirky films formed in the minds of some the quintessence of
                                                              a niche operation.  When  Valhalla’s lease of the senescent
                                                              Victoria Theatre Richmond was not renewed, it sought a new
                                                              home. That home was Westgarth.
                                                                 The Valhalla/Westgarth association promised to be a sym-
                                                              biotic one. Valhalla provided the distinctiveness and peer fol-
                                                              lowing a single-screen venue would surely need to survive in

                                                                               CINEMARECORD Autumn 2001 17
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