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telephonist, wireless operator and  come in dozens, … I’ll Be Your    Some people evacuated to a safe area
          chorus girl and were sent to training  Sweetheart for two and nine.”  used to write to me wishing they could
          theatres. Ten percent stuck to it.   Asked to reflect on the worst times,  be back in the old Granada again.” The
            There were many reasons why they  the managers agreed that the behavior  manager of the Empire Edmonton
          left, apart from the call-up. Often the  of audiences improved during the war.  said that many patrons had told him
          reasons were domestic – husbands of  The manager ceased to be the butt of  that they have never missed a week at
          trainees and wives of operators often  every shilling customer who feels he  the Empire during the whole war.
          objected strongly to the employment of  has bought the house. People  “You could tell the time of day and the
          women in operating boxes; some     appreciated what was done for them,  day of the week by the way the same
          didn’t like the monotony, but those that  they learned to know and trust their  folk came to the pictures right
          stayed were excellent at it. Their  manager and to put a tremendous faith  throughout the war.” ★
          ability to concentrate for long periods  in their cinemas. “We became a  Adapted from Red Roses Every Night:
          to the light on the screen, the detail of  brotherhood of the blitz.” Another  An Account of London Cinemas Under
          trimming an arc, and the adjustment of  manager said, “The blitz seemed to  Fire By Guy Morgan. Quality Press
          sound made them excellent          give people a great air of possession  1948.
          projectionists, while sensitive touch  and affection for their cinema.  Source and concept by Fred Page.
          and patience made them naturally good
          at re-winding and film maintenance. At
          the time of writing (1948) 20 women
          operators are still in the employ of
          Granada theatres, ten have now had
          five to six years experience, and one
          was acting chief operator for a period
          of six months.
            Cinema doormen had their part to
          play in the blitz. To manage a queue
          with no torch and shrapnel tinkling
          was no picnic, especially for older
          men, and there are few Granadas today
          that cannot muster at least two
          septuagenarians on the front door. The
          oldest doorman at the end of the war
          was 85. Doormen, by virtue of their
          uniforms and daily contact with
          customers occupy a position of local
          importance and trust.
























            Doorman Henry Hall of Granada,
          Walthamstow (pictured above) never
          wore a steel helmet throughout the
          blitz, “Bad for morale.” Master of tag
          and rhyme, he made it his business to
          keep his queues in good humour
          whatever the conditions overhead.
          Walthamstow patrons knew by heart  By 1942 British features showed a nation fighting back. In Melbourne these films
          his rhymed couplets linked to current  usually went into the Athenaeum. On this occasion it was British both sides of the
          film titles, “Bring your aunts and bring  street. The Regent was screening Noel Coward’s In Which We Serve.
          your cousins, come in crowds and   Image: New Screen News 24 June 1943. Source: Ron Lowe Collection.

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