Page 14 -
P. 14

S HO WPLA CE         OF C HRISTCHURCH
                          Sometimes a certain style and ambience help to save a theatre for an alternative use.
                               David Lascelles tells the story of one that has been given a new identity.




            The opening of the                                                             Dress circle patrons
          Majestic in 1930 marked                                                       bathed in a ‘sunburst effect’
          the end of a building                                                         from an oval dome lit by
          program by the Fuller                                                         4,000 globes. Ringed by a
          brothers to place a chain of                                                  heavy cornice and corbel it
          theatres bearing this name                                                    was more impressionistic
          across New Zealand. Owned                                                     than classical. Today, most
          by John Fuller and Sons                                                       of the ceiling is hidden
          Ltd. it was leased to                                                         above baffles suspended
          Christchurch Cinemas Ltd.,                                                    from the ceiling; an attempt
          a company formed in 1925                                                      to improve the acoustics.
          by Harry Waters and Dan                                                          The dual functions of
          Spence to act for Fuller-  The Majestic, Manchester Street, corner of Litchfield Street,   cinema or stage show were
          Hayward Theatres, whose   was one of a handful of cinemas across Australasia that seriously  achieved by installing a
          head office dominated its    combined entertainment, commercial and retail premises.   screen that could be raised
          board of directors.                           (Hugh Taylor)                   and lowered. The theatre
            Designed by Allan                                                           was equipped with the latest
          Manson, a partner in the firm S. & A.                                fire and safety equipment, including a
          Luttrell, the wide corner site has been  enclosing the stage boxes and height to  sprinkler system throughout. The
          described as ‘stripped classical’, faced  the ceiling suggest a Romanesque and  projection room was fire proof and
          in cream cement. In keeping with the  therefore ecclesiastical influence. There  equipped with Ernemann II projectors
          American idea of combining a cinema  is a simple explanation for the height;  with RCA Phonophone sound.
          with a commercial building, the   the building was to have two balconies,  Seating was the best available;
          frontage included a three-storey office  but only one was built.     leather surfaces with a special section
          block and shops. It was the first steel-  Much of the original décor has been  of Moquette armchairs in the centre of
          frame building in the city.       stripped out, but enough remains to  the front stalls. All seats had high backs
            Considering that this was a prestige  tantalize. Originally the proscenium  and long arms. Seating capacity was
          cinema, the design is restrained, which  arch, 40ftx20ft (12mx6m) supported a  initially advertised by the Fullers as
          puts it at odds with the mood of the  brown pelmet with monogram. Above  2,500, but after the plan for the top
          times. And unlike most of its cousins  it, swirling consoles repeated the  gallery was abandoned, the actual
          across Australasia, it was built as a  pattern on an ornate arched beam over  seating was 1,650.
          cinema with all facilities for full-scale  the circle, decorated in silver and gold  Total cost, as reported by Fullers
          live shows.                       filigree.                          was 45,000 NZ pounds ($NZ 90,000).
            A bland entrance leads into a plain  This beam, the edge of the dress  This figure is similar to the cost of the
          vestibule with walls of polished granite  circle - firmly raked to seat 1,000, - and  Regent Christchurch, which opened a
          and terrazzo floor. This pushes in some  the front of the orchestra pit (also long  year later, and is reliably known to have
          60ft (18m) to a wider, carpeted foyer.  gone) were congruent curves. The rail  cost nearly 42,000 NZ pounds. Clearly
          Here, a graceful marble staircase, left-  of the pit was columned and draped, as  both were top-rank theatres.
          hand side, curves and turns to the dress  were the stage boxes with their  With ‘Show Place of Christchurch’
          circle foyer. The ticket booths are not  recessed arches. The boxes matched  ablaze in lights across the front, the
          immediately obvious, but are set in the  balconette windows set in the back wall  Majestic was opened by the Mayor Mr.
          wall opposite the staircase and face the  of the circle. So often in cinemas the  J. K. Archer on 1 March 1930. He
          doors to the stalls.              projector ports are the only breaks in  described it as “Majestic in name,
            The auditorium has no direct    the line of the wall, but here the high  majestic in size and a majestic
          counterpart in Australia. The style of  windows and their fluted columns bring  achievement for our great city of
          proscenium, the high, curved recesses  cohesion between stage and surrounds.      Christchurch”.



          14  2008 CINEMARECORD
   9   10   11   12   13   14   15   16   17   18   19