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Upstairs, the mezzanine lounge
          utilised both wall lights and indirect
          lighting. For daytime patrons, the floor
          to ceiling windows afforded the
          possibility of natural light into this
          space, while full-length drapes
          provided evening glamour. Furniture in
          the mezzanine lounge was understated
          and elegant. Ross Thorne has described
          this foyer as possessing ‘a serenity and
          simplicity, or as Building comments an
          elegance, which was rarely seen in
          Australia.’
            The clever design - simple yet
          interesting - continued into the
          auditorium. From the rear to the stage,
          narrow plaster projections divided the
          curved walls into five bands. These
          ‘primary’ bands were joined by an
          additional four projecting bands above
          the exits to either side of the
          proscenium, creating a streamlined
          ‘frame’ for the screen.
            The ceiling was tiered and
          accentuated along the walls by slender
          projections of chrome and glass light
          boxes stepping down to the auditorium.
            Opening night was a Who’s Who of
          the world of film exhibition. All of the
          Hoyts’ brass attended, including their
          WA representative Mr. Stan Perry, an
          indication of the company's plans for
          the west.
            Present too was Robert McLeish
          Snr. in his role as President of the
          Victorian Cinema Exhibitors
          Association and Robert Mcleish Jnr.
          Both men already shared one fine
          Taylor theatre with Hoyts, the Regal
          Hartwell and would soon have another,
          the Rivoli Camberwell.
            There is an elation in the news
          reporting, an awareness that Albury has
          been selected for ‘cutting edge’ design
          ‘in keeping with the progressive
          building policy of the town, which is
          going ahead in leaps and bounds’.
            Hoyts Albury is long gone, yet it
          lives on in the grown-up memory of a
          little girl - the birthplace of her love of
          Art Deco and the modern style.  ★

          ACKNOWLEDGMENTS:
          Helen Livsey, Hon. Research Officer
          for the Albury and District Historical
          Society and Les Tod (CATHS) provided
          important information.

                                            From the top: A ‘ship’s prow’ ticket box in a foyer described as ‘splashed with colour
                                            in mandarine and buff’. The Crying Room had a plentiful supply of toys.





          24  2008 CINEMARECORD
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