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Yet the indispensable appurtenance
          of an actor was his mask. ‘His’ is
          salient in this context; an actor who
          spoke was always male. Mimes, on the
          other hand, could be either male or
          female. If a female character had a
          speaking part, then a man played that
          part, one inescapable reason for the
          prevalence of masks. Masks were
          generally made of linen, cork or wood.
            The movements of the performers
          were stately and formal for the most
          part. This, combined with the emphasis
          on the voice, might lead us to align the
          performances of Greek drama more
          closely to opera than to modern drama.
            The aulos was the most popular
          musical instrument of ancient Greek
          theatre. The aulos had two pipes and a
          reed mouthpiece. It most closely
          resembles a clarinet or an oboe.
            The chorus was a group (of men)
          who sang and danced. Their role was
          important: the frameworks of the
          comedies were built around the
          movements of the chorus.
            Parodos - the chorus enters the stage
                                            The front row of stone seats of the theatre of Dionysus, Athens. In the centre is the
            Parabasis - the chorus moves
                                            special throne for the priest of Dionysus.
          forward to speak directly to the
          audience. Variations on the use of a  The judges of the City Dionysia,  outdoors. The main body or auditorium
          chorus continued beyond Shakespeare's  known as kritai, (from which critic  of the theatre was called koilon. It was
          time. It is a now at the margins of  evolved), always sat in the front row of  semicircular and built around the
          theatre, surviving in some musical  the theatre. There were ten judges, one  orchestra (described below). The koilon
          forms and Opera.                  chosen from each of the ten tribes of  was divided into two diazoma, the
            Exodos - the chorus leaves the  Athens.                            upper and the lower. Other attributes of
          stage, usually triumphantly in the case  The Archon effectively ran the City  an archetypal theatre were:
          of a comedy.                      Dionysia. The citizens chose him every  Seating
            Agon - a contest, a critical moment  year from one of nine magistrates and  At first the seats were wooden.
          of confrontation between the chorus  he in turn chose the poets whose plays  Later, the better theatres provided stone
          and one of the main actors.       would be performed. It was common  benches. The layout was usually a
                                            for an archon to be assisted by a priest  semicircular format, built into a hillside
          PROTOCOLS                         due to the religious content of many of  around the orchestra. The front row of
            A few days before the Dionysia, a  the plays. It was the priest's role to  seats was typically 15m. to 25m. away
          ceremony known as the Proagon took  organise the rituals.            from the acting area. The back row
          place to announce the program of     The Archon also selected a number  might be 80m.away.
          events. The first day of the Dionysian  of wealthy citizens to help finance the  The theatre of Dionysus in Athens
          festival was a public holiday. In a spirit  plays. It may seem odd, but these  had 80 tiers of seats, with six specialty
          of benevolence, prisoners were allowed  positions, equivalent to those of  seats, the proedria in the front row.
          out of jail for the day to enjoy the  sponsors today, were much coveted. It  These were labelled with the names of
          festivities!                      was a bestowal of honour to become a  important persons such as the archon,
            Winners at the Dionysia were    choregos. The word choregoi refers to a  priest, city officials and ambassadors.
          crowned with ivy, a plant sacred to  collective group of financiers. The  In the centre of the front row was a
          Dionysus.                         choregoi paid for the chorus, the  throne for the priest of Dionysus.
            When the festival ended, it was not  musicians, the masks, the costumes and  Other areas were set aside for city
          uncommon for an assembly to be held  the props. They even paid for the post  councillors and soldiers. Soldiers were
          in the theatre. This provided an  performance party. Perhaps a chorus of  duty bound to attend certain
          opportunity to discuss all that had taken  15 was the limit of their generosity.  performances so that they might learn
          place.                                                               from the mistakes of the characters
                                            THE THEATRE
            One tradition of that time, the loss                               portrayed.
                                               The theatre (Greek theatron, Latin
          of which is not lamented, is that of                                    The theatre of Dionysus held
                                            theatrum) was supported by the state,
          purifying the theatre prior to a                                     approximately 17,000 spectators.
                                            and admission was generally free. A
          performance by the sacrifice of a pig!                               The outstanding theatres of the day
                                            theatre, unlike an Odeia, was always
          28  2006 CINEMARECORD
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