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A big technical problem was to
          integrate the studio with the Dorcas
          Street operation where Master Control
          and the direct link to the Mount
          Dandenong transmitter were located.
          Permanent microwave links were
          installed to provide two-way video  Quiz, Make Mine Music and Time for
          paths between Fitzroy and Dorcas  Terry. The Melbourne editions of
          Street. A number of ‘tie lines’ were also  Sydney-based shows taped there
          needed for talk-back communication  included Bandstand with Brian
          and high quality, low noise audio lines  Henderson, Johnny O'Keefe’s Sing Sing
          fed in both directions. This meant that  Sing, and Bob Dyer’s Pick-a-Box.
          the director at Fitzroy could pull a talk-  Music specials featuring American
          back key and cue “Roll film”, with the  artists Bob Crosby, Guy Mitchell and
          operator (and the projector!) located at  Bobby Vee were also produced.
          Dorcas Street across town. The film  This was the era before soap-operas
          would be rolled and put to air by the  like Neighbours. Much local production
          vision switcher in Fitzroy.       consisted of music shows usually ‘live-
            Much of the original theatre décor  to-air’. Because of the dubious
          survived on the basis that if it wasn’t in  acoustics at Fitzroy, and also the lack of
          the way it didn’t get changed. This  studio time available for recording
          included the striking marble staircase  sessions, Channel 7 began hiring the
          leading to the upstairs foyer with huge  Telefil studio on Acland Street in St
          overlooking mirror. The balcony area  Kilda. This was also a former Hoyts
          was left deserted. The foyer was given  suburban theatre - the Memorial.  Clockwise from top: The author at the
          over to dressing rooms and a makeup  The stage and proscenium were still  audio panel.
          area. There was no space for the  intact as I remember and the stalls area
          scenery and set construction      - minus the seats - became the studio  Sunnyside Up goes to air.
          departments, so all construction and  floor. It was a good little set-up run by  Ken Delo, Jonathon Daly and Vicki
          painting was done at South Melbourne  Bill Armstrong. I mixed sessions there  Hammond of the Delo & Daly Show.
          and transported across town. I did often  during 1962 and 1963 for Sunnyside Up  taped in front of an audience of
          wonder if management ever had second  and the Delo & Daly Show. The  screaming teenagers, with the artists at
          thoughts about the cost of maintaining  downstairs men’s toilet became the disc  the height of their popularity. It was my
          their ‘remote’ studio, in terms of the  cutting room with the Neumann lathe  job to mix the sound, and up to that
          money that must have been spent on the  set on the concrete floor - very  time, I had never heard music played at
          PMG lines, links, transport (including  practical! The ladies’ loo saw service as  that level! There was so much sound
          taxi vouchers for staff movements) and  an echo chamber with the ‘reverb send’  that the acoustics of the theatre didn’t
          the rest of it. I myself used to receive  from the mixer going to a loudspeaker  seem to matter. I am pleased to say that
          an allowance for transporting     and a microphone providing the ‘echo  it all worked and the show was
          microphones in the boot of my car!  return’ - it actually worked very well  syndicated around Australia to great
            The HSV-7 Fitzroy Teletheatre   negating the need for an expensive  acclaim.
          opened with great fanfare in April 1961  EMT reverberation plate.       Alas, the teletheatre never lasted
          with a live-to-air opening spectacular  In April 1964 the Teletheatre was  into the colour era. HSV retreated to
          directed by Norman Spencer and    the scene of the Liverpool Sound show  Dorcas Street rather than outlay the
          featuring among others British    which featured Gerry & the         money needed for color equipment in
          comedian Jimmy Edwards. It became  Pacemakers, Gene Pitney, Brian Poole  the now ageing studio. Later on, two
          the home of many successful shows  & the Tremeloes, and the up and   large colour studios were established at
          including Sunnyside Up, The Delo &  coming Dusty Springfield. Compered  their Wells Street site in South
          Daly Show, Video Village, Coles $6000  by Johnny O’Keefe, this show was  Melbourne, just over the road from the

          20  2007 CINEMARECORD
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