Page 4 - CinemaRecord #79
P. 4

CONTINUED...    Rockdale Rex




                                                  ‘m sure  William Gray wasn’t meaning to
                                                Ibe disingenuous with his caption for his
                                                marvellous picture of the cavernous  Amusu
                                                Theatre,  Balmain  (its  actual  address  was
                                                541  Darling  Street,  Rozelle)*  but  in  1951  it
                                                became the legendary Cinesound Studio and
                                                the home of the Cinesound Review - The Voice
                                                of Australia.
                                                When cost over-runs on Charles Chauvel’s film   Looking at the front of the building, Leo
                                                Sons of Matthew became too much for Norman   Wickens camera workshops were on the left
                                                B.  Rydge  to  accept  he  shut  down  feature   hand  corner  and  the  British  Empire  Films
                                                production at the Ebley Street, Bondi studio of   exchange was just to the right of the Amusu run
                                                Cinesound - moving it to Rozelle to produce the   by Cec Kelly, who also ran the Rex Theatre at
                                                weekly newsreel and shorts or ‘featurettes’ as   Rockdale at night.
                                                they were known.                    Halcyon days. There should be a plaque put on
                                                                                    the building. (Now apartments).
                                                I started  work there  in  1955 and in  1956  we     Anthony Buckley AM
                                                began the 10 year contract to produce the film         West Gosford. NSW
                                                footage for the nightly Channel 9 News.
                                                TCN9 was at Willoughby on the north aide of   (*Thanks Anthony, the Balmain listing and caption
                                                Sydney and of course we were at Rozelle in   noting its huge size were actually mine - Editor)
                                                Sydney’s inner west. There was many a hairy
                                                ride in the Morris Minor across the Gladesville
                                                and  Fig-Tree  bridges  to  get  the  film  there  in   ear Kevin, Issue#77 of CinemaRecord was
                                                time to thread onto the Telecine machine before   Djust outstanding. The publication just gets
                                                the 6pm news commenced. There were several   better and better, so congratulations on a superb
                                                nights when I was helping to thread the telecine   job.
                                                when  Chuck  Faulkner  had  already  started   A thought occurred to me  when I read the
                                                reading the news.                   “Newsreel” item on your Melbourne Imax
                                                                                    Theatre closing for installation of the new
                                                Looking at William’s photo, the Sound Stage   digital system. (The new Laser Projection
                                                was on the right of the dress circle balcony and   system also had me intrigued.)
                                                the roof of the stage at the bottom of the roof   I think an article on how the change to digital
                                                trusses, behind which was a small theatre. The   was made and an explanation of how the
                                                camera department was located under the dress   picture is delivered to the screen would be of
                                                circle. The main theatre was on the left (as seen   great interest to readers. I feel the workings of
                                                in  the  movie  Newsfront),  behind  which  were   an Imax facility remain a mystery, particularly
                                                editing  rooms  and  the  foyer.  The  film  vaults   to us oldies, so anything “Imax”, especially
                                                abutted the proscenium. Upstairs the circle had   coming from you would be a bonus.
                                                been levelled and was the location of the sound   I remember an old ABC-TV documentary on
                                                department, editing and script writing rooms, as   the beginnings of Imax that was most interesting
                                                well as the negative matching and the tea room.  – with as I recall, a fellow in Queensland being
                                                                                    instrumental  in  inventing  the  “Flying  Gate”
                                                The first filmed TV show, Richard Allport’s The   mechanism (or whatever it is called). Anyway,
                                                Home Show was shot on the stage with a 16mm   just a suggestion for the future.
                                                Auricon single system sound camera.                          Best wishes
                                                                                                             Pete Smith
                                                I left in 1958 and returned in 1962 to produce the         CATHS Patron
                                                Cinesound Review. My first policy decree was
                                                to scrap news unless it was really big like the   *(Thank you Pete. I have worked at Melbourne Imax
                                                Voyager disaster, and concentrate on Cinesound   since it opened back in 1998, and as suggested,
                                                Specials like our Beatles at the Stadium, which   haveincluded a brief update in this edition.- Editor)
                                                was probably one of our best efforts.
                                                                                    Thankyou for CinemaRecord#77. It was terrific
                                                We knew newsreels were in their last days and I   to see my article “My Parents Projection” in
                                                made a vain attempt to persuade Greater Union   print and I got a huge surprise at the number
                                                to make the Cinesound Review a colour monthly   of photos and title work etc. relevant to
                                                similar  to  Pathe  Pictorial  or  Rank’s  Look  at   the  subject!  All good too… including  the
                                                Life, instead of closing down both Cinesound   Brunswick  Western with the name and the
                                                and Movietone. A decision was made to merge   bio-box still in place, and the rare Melbourne
                                                them and produce Australian Movie Magazine,   Regent photo to just name two - and I hadn’t
                                                a pale shadow by a long way of the once two   seen the Padua photo before!
                                                great newsreels.                    With  so much  interesting  information
                                                                                    throughout, I cant wait to read it all!
                                                                                               My compliments to the Editor.
                                                                                                        John Williamson


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