Page 13 - CinemaRecord #84
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appreciation of a very pleasant evening and the
        high  quality  of  Mr.  Brownbill’s  snug  little
        theatre.”  Following  the  preview  screening,
        refreshments were provided for the 180 guests
        in the theatre’s coffee lounge.

        The original decor was plain by some standards.
        The walls and ceiling were cream, and stage
        curtains pale green. The auditorium was lit by
        a series of lighting coves which ran across the
        width of the building from wall to wall, spaced
        at around 4-5 metre intervals down the length
        of the building. These coves were wired with
        three  circuits  of  different  coloured  lamps
        concealed  from  direct  view,  and  separately
        controlled  to  allow  a  multitude  of  colours  to
        play across the ceiling. In later years, the wiring
        to these coves deteriorated to the point where it
        was unsafe, and so Bass installed a series of
        recessed square fittings in the flat ceiling areas
        between the former coves. The new lights were
        each wired with two circuits – one for white  1940 Aerial view of the site which would house the future Pix Theatre in Belmont
        lamps, and the other for coloured lamps. As the
        white  lamps  were  dimmed  at  the  start  of  the
        show,  the  lights  would  appear  to  gradually
        change  from  white  to  red,  or  blue  or  green,
        dependant on what colour lamp was fitted to the
        second circuit. The screen curtains were lit top
        and bottom with green lamps.

        During later upgrades, the old tip-up seats were
        replaced  with  wider,  more  comfortable  fixed
        seats of orange vinyl, the aisles were carpeted
        and the screen curtains were replaced with new
        russet coloured material. The side walls were
        also draped from front to rear with the same
        material. The overall effect was a warmer, more
        sumptuous appearance, although the vinyl seats
        were subject to splitting over the ensuing years.

        The foyer walls, candy bar and ticket box were
        lined up to dado level using an attractive maple
        veneer, with a small number of seats provided
        along the street side wall. Originally, the foyer
        floor was covered with red and green vinyl tiles,
        but this was carpeted over in later years, thereby
        relieving the rather austere original finish.
                                             Pix Belmont operated in the St. Bernard’s Parish Hall at the left
        Business must have been booming because, on
        15  December  1955,  Bass  opened  the Pix
        Belmont  in  St.  Bernard’s  Parish  Hall.  The
        projectors were Standard Simplex on universal
        stands  with  Kalee  10  inch  arcs  and  Western
        Electric  sound.  The  projectionist  was  a
        Mr.  Arthur  Kishere,  who  also  operated  a
        furnishing store in Moorabool Street.
        The first program included With a Song in My
        Heart and Web of Danger. Saturday matinees
        at both Pix Theatres included cartoons, serials,
        and a feature film. Switching of the feature often
        took place between the theatres at the matinee
        sessions.

        The decor of the Pix Belmont was certainly not
        to the same standard as the Pix West, mainly
        because the hall was owned by St. Bernard’s
        Parish, and could not be altered by a tenant. The
        one  concession  was  the  fitting  of  red  screen
        curtains, lit by red footlights. The foyer floor
        was covered in vinyl tiles, and the only sign of
        timber veneer was on the candy bar/ticket box.
        As  mentioned  above,  I  started  as  an  unpaid  The site in 2014, now occupied by an Aldi Supermarket
        “spool boy” at the Pix Belmont on 10 January


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