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proscenium. The mural on the right side was  expensive  new  screen,  and  a  child  in  the
                                                     of  King  Neptune,  holding  a  trident,  coming  audience  was  firing  building  staples  at  the
                                                     out of the sea on a chariot. The left hand mural  screen. The manager had the film stopped and
                                                     was of Apollo riding a chariot drawn by three  came  out  onto  the  stage.  The  theatre  was
                                                     horses  and  lit  by  a  bronze  sunset.  These  packed full of children who started shouting
                                                     murals were reportedly painted by renowned  and stamping. The manager announced that
                                                     Australian artist, Clifton Pugh.    the film would not start again until the child
                                                                                         who  was  firing  the  staples  confessed.
                                                     By  contrast  with  the  external  “box-like”  Eventually,  the  guilty  boy  came  forward.
                                                     appearance,  the  foyer  and  snack  bar  had  a  Following a stern lecture, he was sent home,
                                                     rather spartan, but modern feel, being lit by  the  film  started  again  and  silence  reigned
                                                     many large circular indirect light fittings. The  once more”.
                                                     kiosk  was  large,  but  had  a  look  of  being
                                                     inadequately stocked to cater for the demands  After  the Burwood  and Toorak  Drive-in
                                                     for confectionery of the day.       Theatres  opened  in  1954  and  1956,
                      Sir Frank Selleck, K.B.E. (1895-1976)                              respectively,  attendance  numbers  at  local
                 families  in  the  area  caused  Selleck  and  The  usherettes’  uniforms  matched  the  theatres  dropped.  The  introduction  of
                 Charlston  to  re-think  their  original  plans  to  theatre’s interior colour scheme. At first, they  television in 1956 compounded the problem,
                 simply renovate the old hall. As a result, they  wore long, fawn evening skirts with light blue  and so the Civic Theatre was forced to close
                 applied to the Government for permission to  tops. Later, the uniform changed to long blue  on 1 July 1959. It sold for £40,000, ending a
                 build  a  1022  seat  theatre.  A  permit  was  skirts  with  short-sleeved  boleros  and  white  cinema era in Ashburton.
                 accordingly granted, but under the condition  shirts  with  balloon
                 that  use  of  new  building  materials  was  sleeves   and
                 minimised. Bricks, roofing, flooring and other  raspberry  coloured
                 materials from the old hall were recycled as  cummerbunds.  The
                 part  of  the  new  building,  and  cement  was  men wore dress suits
                 brought in from other states.       with  bow  ties  and
                                                     dress     shirts.
                 The Civic Theatre was officially opened on  Management   was
                 Saturday 4 December 1948 by Mr. Norman,  very  strict  on  staff
                 MLA.  The  opening  program  was Three  appearance,   and
                 Daring   Daughters,   starring   Jeanette  regular  inspections
                 MacDonald, Jose Iturbi, Jane Powell and Ann  took  place.  One  of
                 Todd.  This  was  accompanied  by  selected  the   former
                 featurettes.                        usherettes,  Barbara
                                                     Mockridge   (nee
                 The  first  Manager  at  the  theatre  was  Mal  Clarke),  remembers
                 Mainon,  followed  by  Colin  Hogben  then  having  to  climb  a
                 Ralph Blake, who later worked at the Metro  long   ladder   to   The foyer and candy bar of almost space-age appearance
                 Theatre in the city. The new theatre was well  change the letters in
                 ahead of its time in terms of patron comfort.  the  “Now  Showing”  signboard  above  the  The  late  Mel  Elliott,  a  CATHS  member,
                 Dunlopillo seating, air conditioning, Western  doors every week. This was made somewhat  worked at the Civic for a time as projectionist.
                 Electric sound, a floating screen and quality  difficult because of her long uniform dress.  He  was  involved  in  selling  the  Westrex
                 furnishings were provided. Other features, not                          projection equipment, screen, seats and lights
                 often  seen  in  cinemas  of  the  day,  included  Children’s matinees were especially popular,  after the theatre closed. According to Mel, the
                 stadium seating, a crying room adjacent to the  although  somewhat  rowdy,  with  usherettes  Presbyterian  Ladies  College  purchased  the
                 projection  room,  pram  room  and  even  a  having to break up fights and stop the use of  theatre’s  seats  and  installed  them  in  the
                 carpark.                            chewing gum as handy missiles. At interval,  College auditorium.
                                                     sweets  and  Dixie  ice  creams  were  sold  by
                 Externally,  the  new  building  had  a  very  lollyboys bearing trays.  After  the Civic  was  demolished,  a  Neptune
                 “rectangular”  appearance  with  straight  lines                        service station was erected on the site. That
                 and right angles. Curves never featured other  One  regular  patron,  Eleanor  Newcombe,  was replaced by a Shell service station then, in
                 than  on  the  front  doors  where  the  timber  reported that one night there was a dreadful  2011,  a  Coles  Express  store  was  built  in
                 framework  met  the  glass.  The  large  square  “scandal”  at  the Civic.  Elvis  Presley’s  conjunction with the service station. ¬
                 panels were painted a dull pink with a row of  Jailhouse  Rock  was  being  shown,  and  a
                 blue doors with white surrounding walls and  number of “bodgies” and “widgies” left their  Credits:
                 parapet.                            seats  during  the  movie  to  jive  in  the  aisles.  Images: CATHS Archive
                                                     Many  frowned  on  this  shocking  behaviour,  Burwood Bulletin
                 Internally,  the  theatre’s  auditorium  was  and  “wondered  what  the  world  was  coming  Barbara Mockridge
                 austere but intimate. The carpet was pale blue,  to”.                   Eleanor Newcombe
                 which  must  have  made  cleaning  difficult.                           Mel Elliott (dec).
                 Seats  were  of  a  brown,  tweed-like  woven  Barbara  Mockridge,  recalled  an  incident  National Archives of Australia
                 fabric. The upper half of the walls was aqua,  which  happened  during  a  matinee  in  the
                 with  painted  murals  on  either  side  of  the  1950s. “The theatre had purchased a large,


                 8   CINEMARECORD  # 91
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