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Australia.
          REDEVELOPMENT &  PROGRESS
             Natalie Miller’s wish was to create
          a cinema which
          (i) actively promoted Australian films
          and gave them a chance to be screened
          to the public,
          (ii) sourced overseas films of merit
          which were unlikely to be screened on
          the big circuits, and
          (iii) retained the role of being a
          producers’ cinema where products
          could be tested, previewed and
          reviewed. The Longford carried out
          these roles successfully until its  (L-R) Terry Brown, Natalie Miller and Kevin Morrison on the closing night. Between them they represent
          demise in 2001.                                       48 years of Longford Cinema. Photo: Brian Mier.
             Having acquired the lease of the  bombs at 9.00 a.m., and the      Exhibition Street. (Although
          cinema, Natalie engaged staff and  devastation and loss of life on busy  predominantly a “live” venue, the
          planned for the reopening. The first  Toorak Road and surrounds would  Playbox was occasionally used as a
          Manager was Mark Gooder.  Terry    have been horrific if it had succeeded.  cinema – including AFI screenings).
          Brown (the final Manager) was an   Moreover, the bomb went off only an  The lamphouses were Xenon verticals
          Operator/Projectionist – casual at first,  hour after the cinema had closed at  – somewhat unusual in Australia.
          then full time from March 1985.    1.00 a.m., following the screening of a  The original lamps were 1.6 Kw
          Another Operator in the beginning  late night movie.                  Xenon verticals with 70 amp Irem
          was Geoff Davies.                    As it was, the shock waves of the  rectifiers. In 1986 they were replaced
             The Longford reopened as a truly  explosion extensively damaged the  with 2.5 Kw Xenon verticals, driven
          commercial cinema on the 8th of    cinema. The premises was not affected  by fan-cooled Kneisler 120 rectifiers –
          November 1984. Its first feature film  by fire, but the fire doors (which  these being much quieter and more
          was the Russian version of ‘War and  opened outwards), were blown well  stable in operation. These lamps run
          Peace’, which ran for several weeks.  into the auditorium; the rear wall  for up to 9,500 hours before
             The Longford has screened films  behind the screen looked like a pile of  replacement is needed.
          continuously since then, except for  big building blocks; the roof and   Also in 1986 the old Sankor lenses
          three weeks in 1986 when it was    ceiling had caved in over much of the  were replaced with a full set of
          ostensibly closed for renovations, but  cinema; the speakers were blown off  Schneider lenses: 60 mm – 1.85:1, 70
          in fact it had to undergo significant  their stands into the screen; and the  mm – 1.66:1, 80 mm Academy 1.35:1,
          partial rebuilding after suffering  toilet areas were a mess. The electrical  90 mm Cinemascope backing lenses
          extensive damage caused by the     circuitry was a shambles, but      with Schneider anamorphics; the latter
          bombing of the Turkish High        miraculously the bio box remained  lenses alone cost $7,000 for two.
          Commission located just behind the  intact.                           These improvements were required to
                                               In view of the history of the    bring the light and sound up to
                                             premises which had suffered three  SMPTE standards for production test
                                             fires in its past, it was decided not to  screenings.
                                             publicize the bomb damage but         A notable event in the life of The
                                             merely to close the cinema ‘for    Longford was when it pioneered the
                                             renovations’. Reconstruction work  first “ long-throw Single Lens Video”
                                             was expedited, and The Longford    to screen in cinema in Australia. The
                                             resumed screening only three weeks  first projector was a Sharp 100 ANSI
                                             later, on 13 December 1986.        lumins LCD machine – now
                                             PROJECTION EQUIPMENT
                                               The screen size in 1984 was 9 ft x
                                             21 ft. but this was replaced in 1986 as
                                             a result of the bomb damage with a
          cinema.
                                             new screen of size 11 ft x 26 ft.
          1986 – THE BOMB                      When the cinema reopened in
             When one of the three bombs     November 1984, equipment included
          destined for the Turkish Ambassador’s  2 x Bauer U3 35mm projectors
          destruction exploded prematurely in  capable of screening 35 mm and 70
          the early morning of 21 November   mm (but never used subsequently for
          1986, it was a miracle that only the  the latter), plus a Selectron 16mm
          person planting the bombs was killed.  projector. The original equipment had
          The intention was to detonate three  been used in and brought across by
                                             the AFI from the Playbox Theatre in

                                                                                       CINEMARECORD 2002     9
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