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Clearly the cinema proprietors and
          residents derive mutual benefits, but the
          locals see it as a model limited to rural
          areas. “The country is simply more
          receptive to the kind of environment
          that the Swanpool Cinema has
          created”, explains a local, “Can you
          imagine a volunteer-based cinema in
          the city?”
            Jones believes “(the cinema) keeps
          people focussed on or at Swanpool
          rather than travel to Melbourne for a
          comparable service”. In fact the cinema
          has a pulling power out of proportion to
          its size. It’s one of the few amenities in
          of the area to attract visitors from
          Benalla and  Melbourne.
            It would be inaccurate to suggest
          that the cinema receives support from
          the Swanpool citizens by default,
          through lack of choice. By residing in
          the area the proprietors have built
          rapport with the local community.
            Kevin, a member of the CFA, has
          also given talks at the local primary
          school. Shirley’s patience and sweet
          temper is widely recognised. “It must
          be difficult for Shirley, with Adam (her
          24 year-old son) being disabled, but
          you’d never know it from her” Edna
          said with admiration.
            The survival of the Swanpool
          Cinema is remarkable in the context of
          the struggles faced by independent
          cinemas. If Melbourne independents,
          with their access to larger niche
          audiences cannot survive, (the Lumiere
          in Lonsdale Street closed in August
          2005) then how can a cinema continue
          in a town with a population of just 26?
            “To say that we are ‘going strong’
          isn’t very accurate”, Kevin chuckles,
          “If we can get in audiences of between
          30 and 40 a night it keeps things
          comfortable... any less and we start to
          run at a loss. Three months of 10-15  Top: Keith Smith still uses the C&W projectors, but has changed the lamphouses to
          people per screening and we will  Westrex 14.  Above: The interior is well maintained.
          accumulate a $6,000 loss”.
            The main costs involved in         Rather, Kevin and Shirley       out fairly well”. The Swanpool programs
          maintaining the cinema include hall  accentuated the differences, choosing  saw them named ‘Best Indie Country
          hire and access to films, the latter a  art-house and foreign language films,  Cinema’ by Australian Independent
          problem for many independents.    on a second release system. This works  Distributors Association in 1998.
            “Cinema exhibition has changed  because the art-house audience is less  By integrating their business within
          since we began 15 years ago” Kevin  into immediate gratification and tends  a community, the proprietors have
          explained. “Initially the closest cinema  to be older. Shirley believes teenagers  insulated the venue against many of the
          was in Shepparton (approximately an  are more likely to cause trouble and  problems faced by independents. They
          hour away) but then a multiplex (part of  “are too young to drive out here  make the space available at affordable
          theVillage chain) opened in Wangaratta,  anyway!”                    rates for fundraisers and special
          which is only a half hour trip”. The  “By showing these kinds of films we  occasions, they allow schools to show
          Swanpool Cinema simply could not  have people travelling from as far as  educational films and are open and
          provide an equal service.         Albury” Shirley reveals, “it has worked  accessible as people.




          24  2008 CINEMARECORD
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