Page 12 - CinemaRecord #83
P. 12

Marketing









                                                                   in Melbourne









                 By Ian Smith and the late Brian Miller



                     ineteen  thirty-nine  is  considered  It  says  a  lot  about  Selznick  and  his
                 NHollywood’s Golden Year, when all the  dedicated team that he was able to win the
                 major  studios  released  some  of  their  ‘best  rights to the most popular book of the 20 th
                 ever’ attractions. Foremost amongst them was  century.
                 David  O.  Selznick’s Gone  with  the  Wind
                 (GWTW).                             In 1937, one year after publication, it had
                                                     sold 1,375,000 copies in the USA, totally
                 Selznick  was  the  prototype  of  the  creative,  unprecedented in publishing history.
                 independent  producer  whose  impact  on  his
                 films  went  far  beyond  financing  and  Not  surprisingly,  the  film  version  went
                 administration.                     well over budget. Selznick was forced to
                                                     turn to his father-in-law. Louis B. Mayer
                 Whilst a superior adaptation of GWTW was  had  already  loaned  out  the  services  of
                 his foremost ambition, he was simultaneously  Clark  Gable,  and  now  he  was  able  to
                 juggling  Ingrid  Bergman’s  introduction  to  extract from a desperate Selznick a coup
                 English-speaking audiences, and supervising  for MGM – the rights to release the film.
                 Alfred  Hitchcock’s  Hollywood  debut  with
                 Rebecca.                            The  public  appetite  for  news  about  the
                                                                   search  for  Scarlett
                                                                   O’Hara, and drip-feeds
                                                                   about   other   cast
                                                                   members was advance
                                                                   publicity   made   in
                                                                   heaven.       The
                                                                   background production
                                                                   news,  greedily  passed
                                                                   on by the press, was all the  “Melbourne’s Scarlett O’Hara”. Crowned on
                                                                   marketing the film needed.  stage that night, Miss Joyce Delanoue of St
                                                                   For this reason the original  Kilda  became  the  Official  Hostess  at  the
                                                                   advertisement   was   a  Metro for the GWTW season.
                                                                   model of simplicity.
                                                                                         The next day the film opened at “advanced
                                                                   The Event             prices” at the Metro (two sessions daily) and
                                                                                         the  nearby Regent  (three  sessions  daily).
                                                                   Such was the demand for  Although the Metro received the glory, it was
                                                                   tickets  in  Sydney  and  the Regent  (3,277  seats)  that  pulled  the
                                                                   Melbourne that it opened  crowds. The season at the Metro (1,479 seats)
                                                                   in  two  theatres  in  both  lasted  three  weeks,  compared  with  seven
                                                                   cities.  This  was  five  weeks at the Regent.
                                                                   months after the opening
                                                                   in  New  York.    In
                                                                   Melbourne,  a  Charity
                                                                   Premiere attended by the
                                                                   Governor of Victoria and
                                                                   his  wife  was  held  at  the
                                                                   Metro  Collins  Street,
                                                                   “Theatre of the Stars”, on
                                                                   Friday 31  May 1940.
                                                                   For  weeks  beforehand
                                                                   MGM  had  been  seeking
                                                                   entrants  for  the  title  of

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