Page 15 - CinemaRecord #83
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The 70 mm version created other indignities. The most obvious change was
                                                                   the excision of the famous title sequence which glided word-by-word across
                                                                   the screen. It was replaced by a single image static title. It was also reputed
                                                                   to be ‘grainy’ and ‘cropped’.
                                                                   The  Encyclopaedia  Britannica  observed  that  the  enduring  popularity  of
                                                                   GWTW achieved something that studio heads had previously believed to be
                                                                   impossible. Hollywood output was geared to the ephemeral pleasure of a
                                                                   night out. A few films had second or third lives, but GWTW had transformed
                                                                   itself into an industrial product.

                                                                   Can it continue on the big screen for much longer? At the Astor East St
                                                                   Kilda, it screens for one or two performances annually, now in a digital
                                                                   version.  As for its wider legacy, the American Film Institute’s list of “The
                                                                   100  Best  American  films”  ranks  GWTW  fourth  after Citizen  Kane,
                                                                   Casablanca and The Godfather.

                                                                   As  recently  as  May  2013  Melbourne  reviewer  Leigh  Paatsch  ranked  it
                                                                   number three on his list of the top 100. Its earnings, adjusted to today’s
                                                                   dollars, total more than $1.5 billion; still number one, still ahead of Star
                                                                   Wars, Titanic and Avatar, despite what current publicists would have us
                                                                   believe. H
                                                                   * MGM’s laboratory technicians reduced and then masked the image in new
                                                                   release prints in places where an unmodified image would have given
                                                                   projectionists the most difficulty.
                                                                   ** MGM’s technicians painstakingly manipulated every frame to bring each one to
                                                                   the best widescreen compromise possible, a process which took two years.

                                                                   References:
                                                                   • David O Selznick’s Hollywood by Ronald Haver.  Martin Secker & Warburg Ltd. 1980.
                                                                   • The Argus, Melbourne (various issues).
                                                                   • Maurice Scott, former Victorian Metro Theatres manager, for additional information.
                                                                   • Unless noted, images from the CATHS archive.







                   Event                                    Date            Theatre    Finish             Weeks

                                                            1940
                   Charity Premiere; Vice-Regal Patronage   Friday 31 May   Metro      0                  -
                   Three sessions daily; Advanced prices    Saturday 1 June  Metro     Monday   24 June   3
                                                            Saturday 1 June  Regent    Saturday  20 July  7
                   Transfer; 3 sessions, Advanced prices    Friday 26 July  Liberty    Thursday 12 Dec.   15
                                                            1941-42

                   Transfer; same times, same prices        Friday 3 June ‘41  Savoy   Thursday 24 April ‘42  42
                                                            1943
                   Opens at regular prices                  Friday 4 June   St James   Tuesday     7 Sept.  9
                                                            1944-45
                   Limited Suburban releases                November                   July
                                                            1946
                   City re-release                          Friday 27 Sept  St James   Monday 4 Nov.      5
                                                            1947

                   Full-scale suburban releases             February                   July
                                                            1950
                   Simultaneous City re-release             Friday 2 June   Metro      Tuesday 24 June    3
                                                            Friday 2 June   St James   Thursday 15 June   2

                             On Tuesday 20 June 1950 the Metro Collins Street box-office sold the one millionth ticket in Victoria


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